varnaonline.eu - Kaufen Sie Mr. Turner - Meister des Lichts günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details. Der britische Maler J.M.W. Turner genießt sein Leben in vollen Zügen und macht sich einen Namen mit seinem exzentrischen Lebensstil. Er begibt sich in unkonventionelle Situationen, um malen zu können, reist in der ganzen Welt herum und ist bei den. Biopic über den berühmten Landschaftsmaler J.M.W. Turner vom Veteran des britischen Sozialkinos Mike Leigh mit seinem Lieblingsdarsteller Timothy Spall in.
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Der britische Maler J.M.W. Turner genießt sein Leben in vollen Zügen und macht sich einen Namen mit seinem exzentrischen Lebensstil. Er begibt sich in unkonventionelle Situationen, um malen zu können, reist in der ganzen Welt herum und ist bei den. Mr. Turner – Meister des Lichts ist ein britischer Spielfilm von Mike Leigh aus dem Jahre Timothy Spall ist in der Hauptrolle des britischen. varnaonline.eu - Kaufen Sie Mr. Turner - Meister des Lichts günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details. Mr. Turner - Meister des Lichts [dt./OV]. ()2 Std. 23 Min Nominiert für 4 Oscars® William Turner () war als Künstler zielstrebig und. Das letzte Vierteljahrhundert im Leben des berühmten englischen Malers William Turner. Kunst und Leben: Mike Leigh ist einer der. Biopic über den berühmten Landschaftsmaler J.M.W. Turner vom Veteran des britischen Sozialkinos Mike Leigh mit seinem Lieblingsdarsteller Timothy Spall in. Erfahren Sie hier alle Infos zum Film "Mr. Turner - Meister des Lichts" im Cineplex / Cinema / Schloßtheater Kino Münster.
Biopic über den berühmten Landschaftsmaler J.M.W. Turner vom Veteran des britischen Sozialkinos Mike Leigh mit seinem Lieblingsdarsteller Timothy Spall in. varnaonline.eu - Kaufen Sie Mr. Turner - Meister des Lichts günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details. Mr. Turner - Meister des Lichts. Der visionäre britische Künstler Joseph Mallord William Turner (), führender Vertreter der Romantik und Wegbereiter.
Mr. Turner - Diese Filme könnten Ihnen gefallen:Was ihm auch Unverständnis einbringt. Mary Magdalene. Turner malt The Fighting Temeraire. Die Musik im Superheldenfilm. News Evgeniya Sheveleva. Mary Magdalene.
Mr. Turner Navigation menu VideoMr TURNER DUI Mr. Turner - Meister des Lichts. Der visionäre britische Künstler Joseph Mallord William Turner (), führender Vertreter der Romantik und Wegbereiter. Mr. Turner. Mike Leigh malt sich William Turners Leben aus. Seine Malerei war visionär, seine Werke hängen heute in den bedeutendsten Kunstsammlungen.
Personne ne contestera le talent de peintre de J. Lire plus. Julien D. Secret de tournage. Il s'agit en effet de leur 5e collaboration.
Gauguin, Van Gogh, Rembrandt Vous ne savez pas quoi regarder ce soir? Si vous aimez ce film, vous pourriez aimer Berthe Morisot. Van Gogh.
Rembrandt fecit Le Choix de Jane. Effectivement la photographie est belle mais alors quel manque de rythme. Question d'habitude dans la monotonie, on va dire Je ne sais pas si tu t'en rappelles?
Oui dommage j'en attendais autre chose et tu peux me tutoyer surtout :. Turner is a work that sees Leigh finding the ideal balance between the intimate and the epic.
Craig Williams. I've not in years seen an onscreen character that feels as fully-realized as Turner, and Spall's seamless performance combined with the immaculate set and costume design and stunning photography makes for a film that feels like a time machine.
Bernard Boo. What a fine film it is: rich, enjoyable, imaginative, faithful to Turner's spirit. Jenny Uglow. Top Box Office.
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How did you buy your ticket? View All Photos Movie Info. Eccentric British painter J. Turner Timothy Spall lives his last 25 years with gusto and secretly becomes involved with a seaside landlady, while his faithful housekeeper Dorothy Atkinson bears an unrequited love for him.
Mike Leigh. Georgina Lowe. Nov 8, Timothy Spall J. Dorothy Atkinson Hannah Danby. Marion Bailey Sophia Booth. Paul Jesson William Turner.
Lesley Manville Mary Somerville. Martin Savage Benjamin Robert Haydon. Joshua McGuire John Ruskin. Very few great artists, except perhaps Van Gogh, have ever conformed to this stereotype.
He was greatly admired by his contemporaries, was praised in the highest terms by many critics, especially Ruskin, became a full Royal Academician while still in his twenties, never lacked for patrons and died a wealthy man.
By contrast his great contemporary and rival, John Constable, whose art seems much less radical to our eyes, had a much harder struggle to establish himself.
Leigh's purpose in making the film was to "examine the tension between this very mortal, flawed individual, and the epic work, the spiritual way he had of distilling the world.
Turner, especially in later life, was noted for his eccentricity. Unlike many working-class Georgians and Victorians who rose in the world, he never attempted to hide his humble origins.
He was untidy, had no social graces and could be rude and tactless. He never married but had a number of mistresses. He was estranged from the first of these, Sarah Danby, and refused to acknowledge his two illegitimate daughters by her.
Sarah appears in the film as do two other mistresses, Hannah Danby Sarah's niece and Turner's housekeeper and Sophia Booth, a seaside landlady.
And yet this uncouth, boorish-seeming man was an artist not only of genius but also of a deep spirituality. His obsession with accurately recording light and atmospheric conditions- he once had himself strapped to the mast of a ship so that he could paint a snowstorm- was born not only of a concern with fidelity to nature but also of a belief that light was a visible manifestation of the Divine.
His last words are said to have been "The sun is God". How, then, could any actor hope to play so contradictory an individual?
The answer to this question comes from Timothy Spall, one of Leigh's favourite actors. Spall is someone I have normally thought of as a "character actor", but here he gets the chance to prove himself as a leading man and makes the most of it.
His Turner is a grumpy old man, and in his dealings with women something of a dirty old man as well, forever grunting and spitting and forever speaking in a sort of Cockney whine, and yet we are never allowed to forget that underneath his unpromising exterior he is a sublime artist.
This is probably the finest performance I have seen Spall give; it won him "Best Actor" at the Cannes Film Festival and I hope that the Academy will bear him in mind when it comes to next year's Oscars.
There is insufficient space to single out all the deserving supporting performances, although I should mention Martin Savage as Turner's friend and fellow-painter Benjamin Haydon, forever trying to borrow money off him, Paul Jesson as Turner's father, to whom he was very close, and Joshua McGuire in a comic turn as an effeminate, lisping Ruskin, very different to the way Greg Wise portrayed him in the recent "Effie Gray".
The other outstanding feature of the film is its visual beauty. Leigh and his cinematographer Dick Pope were clearly aiming to make it one of those films where every shot looks like a painting in its own right, and certainly succeed in this ambition.
Some cinematic biographies of great artists, such as "Girl with a Pearl Earring" about Vermeer, do succeed in capturing the distinctive "look" of their subject, but I think that Leigh and Pope were not actually aiming to make every shot look like a Turner; their palette of colours, for example, is rather too muted for that.
Possibly they felt that the peculiar luminosity of Turner's work would be too difficult to reproduce on film. There are, however, some memorable shots, such as the opening scene by the river in Holland, complete with windmill, and the one where Turner watches "the fighting Temeraire" being towed up the Thames, thereby getting the inspiration for one of his best-known works.
I am not sure if "Mr Turner" quite justifies the label "masterpiece" which some have tried to pin on it; it can at times be too slow-moving for that.
Spall's wonderful acting, however, and Pope's striking cinematography make it a film that stands out from the crowd. Looking for something to watch?
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